The project weaves a narrative related to body and space. It collects a dreamlike quality bank of images they appear, disappear, morph, survive and grow into a perception of time. The present now is a vast stretch over a billion years. It comments, interrupts, splits the memory, drawing comparisons between live performance and ritual. It questions the role of monuments. It takes the form of a coherently planned sequence of portraits, landscapes, textures that belies any initial promise of linear resolution by becoming a springboard for personal, psychological, symbolical and metaphysical illuminations that may ricochet in any direction. It is a time tunnel of images, colliding with no story other than shadows and absurdities where myth can become the present and the reverse is also true. The future has been here for awhile, it’s just not available to everyone.

The project weaves a narrative related to body and space.
It collects a dreamlike quality bank of images they appear, disappear, morph, survive and grow into a perception of time.
The present now is a vast stretch over a billion years. It comments, interrupts, splits the memory, drawing comparisons between live performance and ritual. It questions the role of monuments.
It takes the form of a coherently planned sequence of portraits, landscapes, textures that belies any initial promise of linear resolution by becoming a springboard for personal, psychological, symbolical and metaphysical illuminations that may ricochet in any direction.
It is a time tunnel of images, colliding with no story other than shadows and absurdities where myth can become the present and the reverse is also true.
The future has been here for awhile, it’s just not available to everyone.

Gerasimou_02.jpg
Gerasimou_03.jpg
Gerasimou_04.jpg
Gerasimou_05.jpg
Gerasimou_06.jpg
Gerasimou_07.jpg
Gerasimou_08.jpg
Gerasimou_010.jpg
Gerasimou_013.jpg
δ.jpg
Traviata_Pinelopi_Gerasimou-5.jpg
Gerasimou_014.jpg
 The project weaves a narrative related to body and space. It collects a dreamlike quality bank of images they appear, disappear, morph, survive and grow into a perception of time. The present now is a vast stretch over a billion years. It comments, interrupts, splits the memory, drawing comparisons between live performance and ritual. It questions the role of monuments. It takes the form of a coherently planned sequence of portraits, landscapes, textures that belies any initial promise of linear resolution by becoming a springboard for personal, psychological, symbolical and metaphysical illuminations that may ricochet in any direction. It is a time tunnel of images, colliding with no story other than shadows and absurdities where myth can become the present and the reverse is also true. The future has been here for awhile, it’s just not available to everyone.
Gerasimou_02.jpg
Gerasimou_03.jpg
Gerasimou_04.jpg
Gerasimou_05.jpg
Gerasimou_06.jpg
Gerasimou_07.jpg
Gerasimou_08.jpg
Gerasimou_010.jpg
Gerasimou_013.jpg
δ.jpg
Traviata_Pinelopi_Gerasimou-5.jpg
Gerasimou_014.jpg

The project weaves a narrative related to body and space.
It collects a dreamlike quality bank of images they appear, disappear, morph, survive and grow into a perception of time.
The present now is a vast stretch over a billion years. It comments, interrupts, splits the memory, drawing comparisons between live performance and ritual. It questions the role of monuments.
It takes the form of a coherently planned sequence of portraits, landscapes, textures that belies any initial promise of linear resolution by becoming a springboard for personal, psychological, symbolical and metaphysical illuminations that may ricochet in any direction.
It is a time tunnel of images, colliding with no story other than shadows and absurdities where myth can become the present and the reverse is also true.
The future has been here for awhile, it’s just not available to everyone.

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